Edward Burns' latest endeavor, "Finnegan's Foursome," is a sports-centric dramedy that, while charming in its own right, feels like a time capsule of Burns' early filmmaking style. It's a film that, in many ways, seems to have been preserved in amber, much like Burns himself, who, at 58, retains the lean, handsome look of a working-class Irish-American prince.
The story revolves around golf, family, and the complex dynamics between fathers and sons. Freddy Finnegan, played by Burns, is a wealthy clothing entrepreneur with a seemingly settled life, but his anger issues stem from a rivalrous relationship with his father, Jack. The film's premise is intriguing, but it quickly becomes apparent that the real focus is on the familial tensions and the healing process rather than the sports aspect.
The Family Drama Unveiled
At the heart of "Finnegan's Foursome" is the complex relationship between Freddy and his father, Jack. Jack, a retired golf instructor, is a blustery egomaniac, but one with a warm heart. Freddy, on the other hand, resents his father deeply, even in death. The film's initial setup leads us to believe that the fireworks will be between these two, but a sudden heart attack changes the course of the narrative.
The family's journey to scatter Jack's ashes in Ireland becomes a metaphorical journey of healing and self-discovery. Freddy, his brother Teddy, and their respective children take a week's vacation, playing out the Finnegan's Cup at iconic golf courses. The dialogue is often on-the-nose, but it effectively captures the family's dynamic, with Freddy and Teddy engaging in constant banter and side bets, showcasing their unique brand of brotherly love.
A Sports Movie with a Twist
While structured as a sports movie, "Finnegan's Foursome" is more about the emotional journey of its characters than the golf itself. Burns, with his cinematographer Jeff Muhlstock, captures the beauty of the golf courses, but the true drama lies in the personal struggles of the Finnegan family. The film lacks the intense investment in the outcome that sports movies often strive for. We're not rooting for Freddy to beat his brother; instead, we're invested in the characters' emotional arcs.
There are touching moments, like the scene where three characters sing "The Parting Glass" in a pub. However, the film's softness lies in its predictable resolution. Freddy's journey to realize that his father loved him, despite his flaws, feels a bit too easy. Jack's 'crime' of being away at the golf course too often feels like a dated issue, and one can't help but wonder if Freddy's resentment is a bit overblown.
Burns' Cinematic Journey
"Finnegan's Foursome" is Burns' 16th feature, and it's a testament to his enduring style. His early films, like "The Brothers McMullen" and "She's the One," launched his career as a homespun auteur, offering a unique Irish-American perspective. However, his moment in the spotlight was fleeting, and he retreated into the indie wilderness. Watching "Finnegan's Foursome," one wonders if growth as a filmmaker is necessary. Burns has found his niche, and while he may not hit long drives, he consistently delivers likable, if somewhat predictable, films.
In my opinion, "Finnegan's Foursome" is a reminder of the comfort and familiarity that Burns' films offer. It's a cozy blanket on a cold night, providing a warm and familiar story. While it may not break new ground, it delivers on the promise of a well-crafted, emotionally resonant dramedy. Burns' style may not have evolved, but it remains a unique and endearing voice in independent cinema.
